审美视域下的汉水流域民间木版年画——以老河口南派木版年画为例  

On the Folk Woodcut Paintings in the Hanjiang River Reach from the Perspective of Aesthetics——Taking the Southern School Woodcut Paintings in Laohekou as an Example

作　　者：黄新霞 王涵 HUANG Xin-xia;WANG-Han(School of Art,Hanjiang Normal University,Shiyan 442000,China)

机构地区：[1]汉江师范学院艺术学院,湖北十堰442000

出　　处：《汉江师范学院学报》2022年第1期15-18,共4页Journal of Hanjiang Normal University

基　　金：2014年度汉江师范学院科研项目“解读汉水流域的民间木版年画”阶段性成果(项目编号:2014B04)。

摘　　要：汉水流域是华夏民族古老伟大文明的重要发祥地,汉水流域的民间版画分布地域广,历史悠久,题材广泛,内容丰富,具有较高的艺术价值。本文基于审美视野,以汉水流域较有代表性老河口南派木版年画为例,通过将其与朱仙镇木版年画、杨柳青木版年画和桃花坞木版年画的对比,主要从其图式、造型、色彩等方面进行阐述,从而使我们对民间木版年画的艺术特征有更加深入的了解和更加深刻的认知,对根植于地方深厚文化根源的民族优秀传统文化理解和认同,对于我们更好的继承民族文化遗产,坚定文化自信,推动优秀传统文化紧密接轨时代,实现更好的传承,具有很强的现实意义。The Hanjiang River Reach is an important birthplace of the ancient and great Chinese civilization,which has a long history,a wide range of subjects,rich content and high artistic value.From the aesthetic perspective,this paper takes the southern New Year woodblock prints of Laohekou as an example,and compares them with Zhuxian New Year prints,Yangliuqing New Year prints and Taohuawu New Year prints,mainly from its schemata,shape,color and other aspects,so that we can have an in-depth understanding of the artistic characteristics of folk woodcut new year paintings and a deeper understanding and recognition of the fine traditional culture of the nation rooted in the local profound cultural roots,a better inheritance of the national cultural heritage,and a firm cultural confidence,so as to bring the fine traditional culture closely into line with the times and achieve better inheritance.

关 键 词：审美 汉水流域 民间木版年画 南派 

分 类 号：J2[艺术—美术]