现代中国的“腐殖质”:超社逸社的思想遗迹  

“Humus” in Modern China: the Cultural Heritage of Chao-she and Yi-she

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作  者:朱兴和[1] ZHU Xing-he(Department of Chinese,Shanghai Jiaotong University,Shanghai,200240)

机构地区:[1]上海交通大学中文系

出  处:《云南社会科学》2022年第2期174-179,共6页Social Sciences in Yunnan

基  金:国家社会科学基金项目“近代中国古典诗歌中的‘现代性’研究”(项目号:20BZW009)的阶段性成果。

摘  要:超社逸社是民国时期活跃于上海租界的清遗民诗社。政治上,这群诗人忠于清廷而拒斥民国,参与了颠覆袁世凯、张勋复辟、筹建伪满洲国等重大政治事件。文化上,他们秉持保守主义的立场,追慕古人,守护传统,参与了一系列文化工程。诗学上,他们宗尚宋诗,鼓吹同光体,隐然与新文学相抗衡。总体而言,他们的思想倾向是保守的,但其中又蕴含着现代的因子,而且,他们“腐”而有“用”,以一种纡曲的方式,滋养着现代中国的文化生态。Chao-she and Yi-she were two poetry clubs of the Qing loyalists in the Shanghai concession during the period of the Republic of China. These poets were loyal to the Qing Dynasty and rejected the Republic, and participated in a lot of political events, such as the subversion of Yuan Shikai, the restoration of Xuantong, and the establishment of Manchukuo. They were cultural conservatives, admired the ancients, protected the tradition, and participated in a series of cultural projects. They advocated Song poetry, advocated Tongguang style, and implicitly competed with the New Literature. Their ideological tendency is generally conservative, but also contains a lot of modern factors. Being “musty”but “nutritious”, they made great contributions to the cultural ecology of Modern China in a tortuous way.

关 键 词:超社 逸社 遗民诗人 民国 政治 民国文化 

分 类 号:I2-26[文学—中国文学]

 

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