从金批本《西厢记》分析金圣叹的戏剧批评观  

AAn Analysis of Jin Shengtan's View of Drama Criticism from Jin's Critical Edition of The Romance of the West Chamber

作　　者：盛雅琳 SHENG Ya-lin

机构地区：[1]山东艺术学院艺术管理学院,山东济南250300

出　　处：《民族艺林》2022年第1期71-80,共10页Journal of Ethnic Art

摘　　要：金圣叹作为独有见解的文艺评论家,一度将中国小说戏曲推进至新的高度,推举《西厢记》为天下妙文,在他评点的作品中字里行间体现出烙有金圣叹标志的批评观。戏剧情节上他承认“因文生事”,关注前后联系,反对狗尾续貂;戏剧人物的刻画上强调人物性格的个性化,以及人物与性格的匹配;戏剧语言上则推崇和而不同、清丽并举、含蓄婉转的语言风格。金圣叹的戏剧批评观和戏剧美学思想是我国古代戏曲理论批评的重要组成部分,对我国戏曲地位的提升有不可替代的推举作用。As a literary critic with unique views,Jin Shengtan once promoted Chinese novels and operas to a new height,recommended The Romance of the West Chamber as a wonderful article in the world,and reflected the critical view branded with Jin Shengtan's mark between the lines of his works.In the plot of the drama,it admits"making trouble because of the text",pays attention to the connection between the front and back,and opposes to make an unworthy continuation of a great work;the characterization of dramatic characters emphasizes the individuality of characters and the matching between characters and characters;in terms of drama language,it advocates the language style of harmony but difference,both beauty and purity,implicitness and gracefulness.Jin Shengtan's view of drama criticism and drama aesthetics is an important part of theoretical criticism of China's ancient drama,which plays an irreplaceable role in promoting the status of China's drama.

关 键 词：金圣叹 戏剧批评 《西厢记》 

分 类 号：J905[艺术—电影电视艺术]