“香港书写”与传统再造——以20世纪80年代以来的香港小说为例  

‘Hong Kong Writing’and the Re-creation of Tradition,with the Example of Hong Kong Fiction Since the 1980s

作　　者：徐诗颖 Xu Shiying

机构地区：[1]华南师范大学文学院

出　　处：《华文文学》2022年第1期24-34,共11页Literatures in Chinese

基　　金：国家社科基金青年项目“香港文学中的‘香港书写’与岭南文化认同研究(1985—2017)”,项目编号:21CZW047。

摘　　要：纵观20世纪80年代以来香港小说的“香港书写”,其表现出来过度内在化的倾向和过于西化的创作技法使香港文学在“重塑人文香港”的路上面临自我设限的障碍。要真正突破这一限制,可以用“如何寻根,怎样书写?”的理念来做出重新思考。在“如何寻根”的层面,需要聚焦的是“如何自处的存在之思”,也就是重新审视文化身份在作家寻根的路上所带来的价值和限度,并在流徙文化空间里重新发掘自身的文化根性。在“怎样书写”的方面,从过于讲究西化的书写形式里回到中国传统文化内部寻求艺术创新和突破,从而拓宽文化香港想象的领域。这一理念成为当下切入反思研究“‘香港书写’与传统再造”的有效路径。A survey of the writing of fiction in Hong Kong since the 1980s reveals an excessively internalized tendency and over-Westernized techniques that cause Hong Kong to face the self-imposed obstacle in its search for reshaping a humanitarian Hong Kong.To break through this restriction,one could engage in rethinking with the concept of a question,‘How to seek roots and how to write’?On the level of roots,the focus needs to be on the thought of existence as to how to place oneself,to reexamine the values and limitations brought by cultural identity on the road on which the writers seek the roots and to re-excavate the cultural rootedness of oneself in the space of migratory culture.And on the level of writing,one ought to return from the over-Westernize form of writing to the inside of traditional Chinese culture to search for artistic creation and breakthroughs,thus widening the scope of imagination for cultural Hong Kong.This concept has now become an effective approach to cut into the reflections on Hong Kong writing and the re-creation of tradition.

关 键 词：20世纪80年代 香港小说 香港书写 传统再造 

分 类 号：I207.4[文学—中国文学]