直面问题 重塑原理  

Facing the Problem and Reshaping the Principle

作　　者：陈众议[1] Chen Zhongyi

机构地区：[1]中国社会科学院外国文学研究所,北京100732

出　　处：《中国文学批评》2022年第1期18-25,M0003,共9页Chinese Journal of Literary Criticism

摘　　要：中外文学原理同一般文学理论、文学批评之间既有关联,又各有侧重,这既是由文学的复杂性、多维性和外延性所决定的,同时也取决于原理本身的变迁。文学创作实践、文学批评、文学理论和文学史写作方法、观念不断外溢,致使文学体系丧失了起码的边界和标准。文学原理面临着前所未有的混沌局面,作为界定、阐释、评判或鉴赏标准的文学观念也纷乱繁杂,以至于本可以中外并举、彼此兼容的理论和方法每每相互排斥、彼此龃龉,这就迫使我们在对强制和反强制的辨析与规约中努力弥补阙如,以裨重新出发。The writing methods and concepts of literary creation practice,literary criticism,literary theory and literary history are constantly spilling over,resulting in the loss of the minimum boundaries and standards of the literary system.Literary principles are faced with unprecedented chaos,and the literary concepts as a criterion for definition,interpretation,judgment or appreciation are also diverse and varied.As a result,theories and approaches that could be compatible with each other,both in China and abroad,are often mutually exclusive and at odds with each other,forcing us to make up for the gaps in the analysis and regulation of coercion and anti-coercion in order to make a fresh start.

关 键 词：文学原理 强制与反强制 外部研究与内部研究 

分 类 号：I0[文学—文学理论]