被动中的主动:传统习俗与节日中的形式化  

The“Active”in the“Passive”:Formalization in Traditional Customs and Festivals

作　　者：耿波[1] GENG Bo

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《中南民族大学学报（人文社会科学版）》2022年第3期77-84,184,共9页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：教育部哲学社会科学研究重大课题攻关项目“非物质文化遗产美学研究”(18JZD019)。

摘　　要：传统习俗与节日的特别之处在于,它使人形成被动的生活状态,但人们却乐在其中,这种状态可称为“被动中的主动”。尼采、海德格尔与伽达默尔对“被动中的主动”的探讨,形成了西方思想史上这一问题的理论脉络。传统习俗与节日中充满主动与被动的“冲突”,这种“冲突”使“作品”被人看见,从而具有了“形式”意味。在形式的意义上,“作为节日的艺术”与“作为艺术的节日”是同构的,“艺术”因其“形式”为人所目睹,形式应是传统习俗与节日作为艺术同构的最终见证。The special thing about traditional customs and festivals is that they create a passive state of life for people,but people enjoy them,and we call this state“active in passivity”.Nietzsche,Heidegger and Georg Gadamer have discussed“active in passivity”,thus forming a lineage in the history of Western thought.Traditional customs and festivals are full of“conflicts”,and this“conflict”itself makes the“work”visible and thus has a“formal”meaning.In the formal sense,“art as a festival”and“festival as art”are isomorphic,“art”is seen by people because of its“form”,and the form should be the ultimate witness of the isomorphism of traditional customs and festivals as art.

关 键 词：传统习俗与节日 被动中的主动 形式 冲突 体验 

分 类 号：C95[社会学—民族学]