顾颉刚日记中的北京观影空间  

Beijing Film-viewing Spaces in Gu Jiegang's Diary

作　　者：张一玮[1] ZHANG Yiwei(School of Humanity,Chinese Communication University,Beijing 100024,China)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《三明学院学报》2022年第1期81-87,共7页Journal of Sanming University

基　　金：北京市社科研究课题(19YTB024)。

摘　　要：20世纪50至60年代,历史学家顾颉刚的私人日记记录了赴大华电影院和儿童电影院21次观看电影的经历,这些日记篇章对于研究北京影院文化具有特殊的史料价值。两座影院的电影排映状况参与构成了观影活动的仪式性特征,是实现电影文化功能的重要环节。解读顾颉刚日记中的观影记录和观影经验,可以审视“十七年”中国电影工业发展的成果,并理解当时北京城市电影院的放映状况、接受状况和文化认同。Chinese historian Gu Jiegang's personal diary recorded his experience of watching movies for 21 times in Dahua Cinema and Children's cinema from the 1950s to 1960s.These diary chapters have special historical values on Beijing cinema culture.The film exhibition arrangement of the two cinemas constituted the ritual characteristics of film viewing activities,and it was important link to achieve cultural functions of films.The film-viewing records and experiences in Gu Jiegang's diary shows the achievements of China's film industry in the"seventeen years"period,and provides the possibility to interpret the film exhibition,acceptance and cultural identity of Beijing Urban Cinemas at that time.

关 键 词：顾颉刚日记 大华电影院 儿童电影院 影院观影记录 文化解读 

分 类 号：J909[艺术—电影电视艺术]