以五声结构成分为基础的“十二音场”调性及其和声——从《秋兴八首》观贾达群的和声世界  

"Twelve-tone field" tonality and harmony basedon pentatonic structural elements

作　　者：刘康华[1] Liu Kanghua

机构地区：[1]中央音乐学院作曲系

出　　处：《乐府新声（沈阳音乐学院学报）》2022年第1期36-51,共16页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：当代作曲家贾达群因杜甫诗歌《秋兴八首》而引起共鸣,激发灵感,用音乐语言谱下了同名的为男中音与钢琴室内乐。本文对作曲家如何将诗词文学变为音乐艺术,把诗人的内心情怀凝练为音乐主题;如何将音乐主题变化、发展,巧妙地贯穿于八首之中,而对全曲意境、情感起统一作用;如何从主题引伸出相关联的和声材料而形成逻辑体系,从而展现和声多方位的表现意义;如何架构全曲之调性,从而与诗词结构相统一等等,逐一谈点个人看法。Du Fu’s poem Qiu Xing Eight has aroused the resonance of contemporary composer Jia Daquan, and inspired him to compose baritone and piano chamber music with the same name in musical language. This paper discusses how composers turn poetry literature into musical art and condense the poet’s inner feelings into musical themes. How to make the change and development of the musical theme run through the eight songs skillfully, and play a unified role in the artistic conception and emotion of the whole song;How to draw out the related harmonic materials from the theme to form a logical system, so as to show the multidimensional meaning of harmony;How to structure the tonality of the whole song, so as to unify with the structure of poetry and so on, talk about some personal views one by one.

关 键 词：《秋兴八首》 核心动机 和声语言 十二音场 

分 类 号：J614.1[艺术—音乐]