大运河文化带传统民居推测性复原研究——以李正泰、陈幼斋宅为例  

On Restoration of Traditional Chinese Dwellings of the Grand Canal Cultural Belt : Taking Li Zhengtai Mansion and Chen Youzhai Mansion as Examples

作　　者：于文龙[1] YU Wenlong(Huaiyin Institute of Technology,223001 Huaian JiangSu)

机构地区：[1]淮阴工学院,江苏淮安223001

出　　处：《设计艺术研究》2022年第1期18-21,共4页Design Research

基　　金：江苏高校哲学社会科学研究重点项目(2018SJZDI145);江苏省社会科学基金项目(18YSB003)。

摘　　要：以李正泰宅和陈幼斋宅为代表的淮安地区传统建筑是一个时代集体记忆的容器,承载并昭示了一个时代的经济水平、文化传承、人文风貌和社会进程。不同时代背景下,人们对于审美的变迁发展,开端往往是从建筑形式上最先表现出来,从古典主义设计到现代主义设计再到后现代主义设计,表现最明显且差异最大的就是建筑领域,从古时繁复的建筑再到现在极简的建筑形象,无一不是对时代变迁的最好写照。对"陈、李"古宅院落布局、建筑结构、装饰手段等进行推测性复原研究并以传统图式的形式予以表达,是对大运河文化带建设有利的补充,拓展了大运河文化研究的视野。The traditional architecture in Huai’an area, represented by Li Zhengtai Mansion and Chen Youzhai Mansion, is the name of an era and the mark of collective memory, witnessing the economic level, cultural heritage, cultural style and social process of an era. In different times, the change and development of people’s aesthetic is often reflected in the architectural form. From the classical design to the modern design and then to the postmodern design, the most obvious and the biggest difference is in the field of architecture. From the complex buildings in ancient times to the minimalist architectural image now, all of them are the best portrayal of the change of the times. It is a beneficial supplement to the construction of the Grand Canal cultural belt to carry out the speculative restoration research on the layout, architectural structure and decoration means of the "Chen and Li" ancient houses and express them in the form of schema, which expands the vision of the Grand Canal cultural research.

关 键 词：大运河文化带 传统民居 推测 复原 

分 类 号：J59[艺术—艺术设计]