乔治·赫伯特《圣殿》中的香气意象  

作　　者：邢锋萍[1] 

机构地区：[1]中国矿业大学

出　　处：《复旦外国语言文学论丛》2021年第2期99-105,共7页Fudan Forum on Foreign Languages and Literature

基　　金：中央高校基本科研业务费专项资金资助项目“乔治·赫伯特诗歌与英国宗教改革研究”(2018WA02);中国矿业大学双一流建设“文化传承创新”项目“中国文化的海外传播与外国文化的中国本土化互动研究”(2018WHCC06)的阶段性成果。

摘　　要：17世纪英国诗人乔治·赫伯特的诗集《圣殿》包含大量与香气有关的意象。赫伯特充分借鉴中世纪香气传统,同时把香气置于新教神学背景下进行解读。他把香气视为基督教美德和圣行的象征,把基督受难比作一颗香丸被碾碎的过程,并把人的救赎与香膏的香气紧密联系在一起,赋予原本世俗、感性的嗅觉词汇以神圣、超验的意义。通过仔细考察赫伯特诗中的香气意象,我们可以发现赫伯特的宗教思想与新教改革者基本一致。香气意象承载着诗人的新教神学思想,是理解其诗歌的重要切入点。The 17 th century English poet George Herbert presents a large number of images related to sweet scent in his collection The Temple.Herbert inherits the medieval tradition of sweet scent and meanwhile puts it in the context of Protestant theology.He takes sweet scent as the token of Christian virtue,sees Christ’s being crucified as a pomander being broken,and relates man’s redemption closely to the sweet balm,thus endows the secular,sensual olfactory words with sacred,transcendental meanings.By an attentive study of this kind of imagery,one can find that Herbert’s religious view is basically consistent with that of the Protestant reformers.The sweet scent is loaded with Herbert’s own Protestant thought and is a key perspective in understanding his poetry.

关 键 词：乔治·赫伯特 《圣殿》 香气 新教神学 

分 类 号：I561.072[文学—其他各国文学]