对话的跨越——《红笑》的时空体艺术解读  

作　　者：程婷婷[1] 

机构地区：[1]南京晓庄学院

出　　处：《复旦外国语言文学论丛》2021年第2期165-171,共7页Fudan Forum on Foreign Languages and Literature

基　　金：江苏省社会科学基金“苏格兰社会转型期视角下詹姆斯·凯尔曼作品研究”(20WWD006);江苏高校哲学社会科学研究项目“阈限与跨界——詹姆斯·凯尔曼小说中的城市空间书写研究”(2019SJA0434)的阶段性成果。

摘　　要：文学批评界更习惯于在空间层面上揭示不同声音的对话及其内在矛盾性和复杂性,对话的时间维度相对被忽视。俄罗斯白银时代作家列·安德列耶夫的小说《红笑》则是一部以时间对话为主要特征的文学经典。从时间的延续性来看,小说《红笑》所呈现出的创作特征,主要是空间在时间的流动中实现的对话结果。本文从巴赫金的时空体理论出发,试图发掘《红笑》以时间为特征的意义再生机制,即以双重人物视角、现实感知与心理重构、物理世界与心理世界的交织,在当下与过去、未来的互动中,实现的对话意义。It is a common practice among literary critics to reveal the inner contradiction and complexity among different voices in a dialogue from spatial perspective.However,The Red Laugh,a novel by Leonid Andreyev in Russian Silver Age,is a masterpiece characterized by its dialogue from the perspective of time.When we examine the duration of time in The Red Laugh,we can find that the writing characteristics exhibited in the novel is mainly the dialogic result achieved by space in the fluid process of time.Examining from the perspective of Bakhtin’s theory of chronotope,the paper explores the mechanism of meaning reconstruction in the novel,which is characterized by time.More specifically,the paper tries to examine the double-narrative perspective,realistic comprehension and psychological reconstruction,as well as the interaction between the physical world and the psychological world,so as to reveal how the novel constructs the dialogic meaning in the interaction among the present,the past and the future.

关 键 词：《红笑》 列·安德列耶夫 巴赫金 时空体 

分 类 号：I512.074[文学—其他各国文学]