俄罗斯白银时代的余晖——“综合艺术”美学视域下期刊《数目》的出位之思  

作　　者：王时玉 

机构地区：[1]华东师范大学

出　　处：《复旦外国语言文学论丛》2021年第2期179-185,共7页Fudan Forum on Foreign Languages and Literature

基　　金：2020年华东师范大学优秀博士生学术创新能力提升计划项目“回归文学现场——巴黎俄侨文学期刊研究”(项目编号:YBNLTS2020-031)的阶段性成果。

摘　　要：1930年代,法国出现了一本追求极致文艺审美、关注个体性灵的俄语文学期刊《数目》。它独立于风起云涌的政治和意识形态斗争之外,怀抱对过去时代的难忘记忆,在艰难的条件下思考道德与人性、孤独与疏离、存在与虚无、责任与使命。这一品格使其呈现出一种特别的自由氛围,并在域外延续了俄国白银时代文化传统。本文拟以"综合艺术"理念为切入点,从期刊的文化共生景观、批评空间的出位之思和"巴黎音调"的跨媒介叙事来阐述《数目》承前启后的重要意义,揭示其蕴含的复兴俄罗斯文化的美学理想。In the 1930 s,a Russian literary journal Numbers was issued in France,which pursued the ultimate literary aesthetics and focused on individual spirit.Free from political and ideological struggles,and cherishing the unforgettable memory of the past,it explored morality and humanity,loneliness and alienation,existence and nothingness,responsibility and mission under difficult conditions.This character enabled it to exhibit a special atmosphere of freedom,and continued the Russian Silver Age cultural tradition abroad.This article intends to adopt the concept of Synthetic Arts to discuss the cultural symbiosis landscape of the periodical,the innovation of criticism space and the cross-media narrative of Paris Note.In this way,the significance of Numbers could be unveiled,which serves as a link between the past and the future,and reveals the aesthetic ideal of the revival of Russian culture.

关 键 词：《数目》 俄侨期刊 白银时代 综合艺术 “巴黎音调” 

分 类 号：G237.5[文化科学] I512.06[文学—其他各国文学]