汉语古吟诵“依字率”计量研究  

Qualitative Research on the Ratio of Singing on Character Tone in Chinese Ancient Chanting

作　　者：孔江平[1,2] KONG Jiangping

机构地区：[1]北京大学中国语言学研究中心,北京100871 [2]北京大学中文系,北京100871

出　　处：《语言学论丛》2021年第2期252-271,共20页Essays on Linguistics

基　　金：教育部基地重大项目“基于语言多模态的语言本体研究”(项目编号:17JJD740001)的支持。

摘　　要：“依字行腔”是中华传统有声文化形式上的精髓,因为中国大部分的语言使用基频构建不同的声调系统来区别语言意义,而有声文化也同时使用基频作为音乐旋律的物理和感知基础。在语盲和音乐长期的演化和形成过程中,人的认知能力构建了“依字行腔”这种涵盖语言认知系统和音乐认知系统的形式。本文提出了基于单音子字调和三音子字调的语言与吟诵的相关算法,并在此基础上提出了“依字率”的计算方法.用于“依字行腔”中对于字调感知正确率的实证定量描写。“Singing based on character tone”is the essence of the form of the traditional Chinese oral culture,because the most languages in China use the fundamental frequency to construct different tone systems to distinguish language meanings,and oral culture also uses the fundamental frequency as the physical and perceptual basis of musical melodies.In the long evolution and formation process of language and music,human's cognitive ability has constructed the form of“singing based on character tone”,which covers the language cognitive system and music cognitive system.In this paper,a correlation analysis algorithm of language and chanting based on monophonic and triphonic tones is proposed,and based on this,a calculation method of“ratio of singing on character tone”is proposed for the empirical quantitative description of perceptual accuracy of character tone.

关 键 词：依字行腔 单音子字调 三音子字调 相关计算 依字率 

分 类 号：H11[语言文字—汉语]