从声律节奏到生命之喻——论古典诗韵的设计美学意义  

From Rhythm to Life Consciousness——On the Design Aesthetics Meaning of Classical Poetic Charm

作　　者：王秀君[1] WANG Xiu-jun(School of Art,Heilongjiang University,Harbin 150080,China)

机构地区：[1]黑龙江大学艺术学院,哈尔滨150080

出　　处：《哈尔滨工业大学学报（社会科学版）》2022年第2期113-120,共8页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：黑龙江省教育科学“十三五”规划2020年度重点课题“未来艺术设计教育模式研究”(GJB1320273)。

摘　　要：中国古典美学中的“诗韵”范畴将古典诗歌的形态建构与生命表达有机结合起来,进而揭示出古典诗歌复杂而立体的内部肌理。“诗韵”范畴作为古典诗歌“辞”与“意”辩证统一的审美状态,由外及里地呈现出丰赡的创作思想与设计理念,对当下设计美学的研究范式与关注焦点有着重要启示。可以基于设计美学的视角,契合声韵美与意韵美展开考察,剖析中国古典诗歌内部的设计理念与构思原理,总结其对于当下美学建设的意义。古典“诗韵”不仅在设计技巧上具有强大的自洽性,亦拥有着凝萃民族文化心理和生命意识的力量。The category of“poetic charm(Yun)”in Chinese classical aesthetics integrates the form construction and life expression of classical poetry,which reveals the internal texture of classical poetry.As an advanced state of dialectical unity of“words”and“meaning”in classical poetry,the category of“poetic charm(Yun)”presents abundant creative ideas and design ideas from the outside to the inside,which has an important enlightenment for the development of design aesthetics in contemporary China.From the perspective of design aesthetics,this paper attempts to analyze the internal design concept and conception principle of Chinese classical poetry by dividing the“poetic charm(Yun)”into“charm of rhythm”and“charm of artistic conception”,and summarize its generational significance for the current aesthetic construction.Classical“poetic charm”not only has strong self-consistency in design skills,but also has the power of condensing national cultural psychology and life consciousness.

关 键 词：诗韵 声韵美与意韵美 设计美学 生命之喻 

分 类 号：I222[文学—中国文学]