胡调、张腔:《今生今世》《小团圆》“才子佳人”叙事范式的移常  

Hu Composed and Zhang Wrote:This Life and Small Reunion“Talented Men and Beautiful Women”Narrative Paradigm Moving-Change

作　　者：萧凤娴 Xiao Fengxian(Department of Oriental Literature,Tzu Chi University,Hualian of Taiwan,China)

机构地区：[1]慈济大学东方语文学系,中国台湾花莲970

出　　处：《社会科学论坛》2022年第2期162-172,共11页Tribune of Social Sciences

摘　　要：以侨易学视野,对照细读胡兰成《今生今世》与张爱玲《小团圆》文本,认为《今生今世》移变明末清初才子佳人小说中,才子佳人邂逅、相处与遭遇破坏、大团圆三个基本情节,才、美、德、智、胆五个“佳人”叙述标准,才、情、貌、德四大“才子”叙述模式,用胡调移常,建构了彻底自我却又彻底美好、彻底洒脱的女神级的张爱玲形象,打造出“才子佳人”和鸣的两性世界;张爱玲以《今生今世》为蓝本,投射自己的生命历程,产生移变后的意义,用张腔移常,建构了《小团圆》里不彻底的、阴暗的、矛盾的、挣扎的“佳人”形象和“才子”形象。This article is based on the vision of Kiao-i,crossreads and peruses the texts of This Life and Small Reunion.I think that Hu Lancheng moving-changes talented men and beautiful women novels in the early Qing where the three basic plots of talented men and beautiful women,including encountering,getting along as well as encountering destruction,and reunion.Talent,beauty,virtue,wisdom,courage are five narrative standards for“beautiful women”,while talent,affection,appearance,and virtue are four narrative standards for“talented men”.With Hu’s style of moving-change,he constructs an Eileen Chang’s image of absolute self,but completely beautiful,free,and goddess.Eileen Chang taught the enlightenment to the beautiful Hu everywhere,to create a“talented men and beautiful women’s”harmonious gender world.Based on This Life,Eileen Chang projects her own life to generate the meaning of moving-change.And with the Chang’s style of moving-change,she constructed the“beautiful women’s”image of incomplete,dark,contradictory,struggling,harm herself for affection and sex,and fearful in Small Reunion as well as the“talented men’s”image of incomplete,dark,contradictory,struggling self,selfish,and preserving everyone around them for their own sake.

关 键 词：侨易学 胡兰成 张爱玲 《今生今世》 《小团圆》 

分 类 号：I06[文学—文学理论]