马克思文艺生产论的三重维度及当代表现  

The Three Dimensions and Contemporary Manifestationsof Marx's Theory of Literary Production

作　　者：吴玲 杨承东 WU Ling;YANG Cheng-dong(College of Marxism,Northeast Agricultural University,Harbin Heilongjiang 150030,China)

机构地区：[1]东北农业大学马克思主义学院,黑龙江哈尔滨150030

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2022年第3期35-38,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：马克思根据19世纪的时代背景对文艺作出符合历史唯物主义的阐释,创新发展文艺生产论。在主体维度上,马克思界定文艺生产者的身份和立场;在客体维度上,马克思提出文艺情感要反映时代;在价值维度上,马克思强调文艺的经济价值和意识形态价值。马克思文艺生产论在当代具有新的表现:先进生产工具导致生产者在生产中的地位下降,进而诱发工具理性问题;创作模式由个人创作转向集体创作,文艺作品展现出系统化和体系化特征;新型媒介广泛应用于文艺传播,推动文艺经济价值和意识形态价值深度融合。According to the background of the 19th century,Marx interpreted literature and art with historical materialism,innovated and developed the theory of literary production.In terms of the subject dimension,Marx defined the identity and position of literary and artistic producers;about the object dimension,Marx pointed out that literary emotion should mirror the times;as for the value dimension,Marx emphasized the economic value and ideological value of literature and art.In contemporary society,Marx's theory of literary production gets a new expression:Under the influence of advanced production tools,the status of producers has declined,which induces the problem of instrumental rationality;the creative mode has changed from the individual to social mode,literary and artistic works show the characteristics of systematization and serialization;new-media,which are widely used in literary and artistic communication,promotes full integration of literature and art’s economic value with ideological value.

关 键 词：马克思文艺生产论 文艺生产 文艺价值 文艺鉴赏 

分 类 号：I200[文学—中国文学] I04