三木健与IDEO两种设计思维异同的研究  

RESEARCH ON THE SIMILARITIES AND DIFFERENCES OF TWO DESIGN THINKING BETWEEN MIKI KEN AND IDEO

作　　者：陆丹丹 蒋嘉贇 LU DANDAN;JIANG JIAYUN

机构地区：[1]上海大学上海美术学院

出　　处：《设计》2022年第5期97-99,共3页Design

摘　　要：本篇文章主要是分析概述三木健以及IDEO两种设计思维,从其定义、关联性再到相同点以及不同点。采用列举法以及逐条分析法。先简要梳理设计思维的概念,又分别论述三木健与IDEO的设计思维及其关系定义。紧接着抓住其突出的不同点和相同点进行展开介绍。加强民众对设计思维的认识以及推广设计思维对处理用户关系的巨大作用。加入视觉思维的些许概念,从IDEO和三木健设计思维异同点着手浅要探究总结视觉传达设计思维的特征。This article mainly analyzes and summarizes the two design thinking of Miki Ken and IDEO,from their definitions and relevance to similarities and differences. This article adopts the enumeration method and the item-by-item analysis method.First,briefly comb the concept of design thinking,and then discuss the design thinking of Miki Ken and IDEO and the definition of their relationship. Then grasp the outstanding differences and similarities to expand the introduction.Strengthen the public’s understanding of design thinking and promote the great role of design thinking in handling user relationships. Adding some concepts of visual thinking,starting from the similarities and differences between IDEO and Miki Ken’s design thinking,it is necessary to explore and summarize the characteristics of visual communication design thinking.

关 键 词：设计思维 IDEO 三木健 设计 创新 视觉思维 视觉传达设计 

分 类 号：TG802[金属学及工艺—公差测量技术]