论刘庆邦短篇小说的结尾艺术  

On the ending art of LIU Qingbang’s short stories

作　　者：张旭东[1] ZHANG Xudong(School of Communication,Nanyang Institute of Technology,Nanyang 473004,China)

机构地区：[1]南阳理工学院传媒学院,河南南阳473004

出　　处：《周口师范学院学报》2022年第1期56-62,共7页Journal of Zhoukou Normal University

基　　金：2020年度河南省教育厅人文社会科学研究一般项目“新世纪河南小说的村庄叙事与乡村文化建设研究”(2020-ZDJH-270)。

摘　　要：刘庆邦是一位致力于短篇小说创作的优秀作家,其对短篇小说创作艺术的探索,仅在“结尾的艺术”这一层面就体现得很明显。概括来说,刘庆邦短篇小说的结尾艺术主要有如下几种表现:自然结尾,寓奇崛于平淡;“结”外生枝,拓深表现力;颠覆反转,出人意表;开放设问,言尽而意无穷;含而不露,引发读者共鸣。实际上,作家无论采取何种结尾方式,都是为了达到“升华”的审美效果:深化主题,开掘人性,拓展意蕴。LIU Qingbang is an outstanding writer devoted to the creation of short stories,his exploration of the art of short story creation is obvious only in the“art of ending”.Generally speaking,the ending art of LIU Qingbang’s short stories mainly has the following performances:ending naturally,with originality in plainness;new problems crop up unexpectedly;the outcome reversed to surprise;end with an open question;containing but not revealing,arousing readers’resonance.In fact,no matter what kind of ending the writer adopts,it is to achieve the aesthetic effect of“sublimation”:deepening the theme,exploring human nature and expanding the connotation.

关 键 词：刘庆邦 短篇小说 结尾艺术 审美效果 

分 类 号：I207.4[文学—中国文学]