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作 者:喻洪灿 余来明[1] YU Hongcan;YU Laiming(Research Center of Chinese Traditional Culture, Wuhan University, Hubei, Wuhan 430000)
机构地区:[1]武汉大学中国传统文化研究中心,湖北武汉430000
出 处:《绵阳师范学院学报》2022年第3期91-99,共9页Journal of Mianyang Teachers' College
摘 要:清词史上,“比兴寄托”在词作与词学中有着不同的存在方式和内涵,一是作为扩展词境、提升词品的艺术手法;二是作为解释词旨,归于雅正的桥梁。第二重内涵并非词学的产物,而是在经学大兴的背景下,由诗经学借鉴而来。这种分歧在张惠言处发展到极致。而后随着世殊事异,被周济在一定程度上进行了整合。In the history of Ci in the Qing Dynasty,"metaphor"and"sustenance"(Bi-Xing)were different both on usage and connotation.First,it was used as an artistic means to expand the aesthetic realm and aesthetic style of CI;Second,it was used to explain the connotation of CI which should belong to elegance and standard(Ya-Zheng).The second connotation is not derived from the theory of Ci,but from the study of The Book of Songs(Shi Jing).This difference developed extremely by Zhang Huiyan and then integrated to a certain extent by Zhou Ji.
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