美国汉学界中国戏曲研究之发端--从19世纪中期到20世纪30年代  

The Beginnings of Chinese Opera Studies in American Sinology-From the Mid-19th Century to the 1930s

作　　者：李玉辉[1,2] 潘明军 Li Yuhui;Pan Mingjun

机构地区：[1]中北大学人文社会科学学院,山西太原030051 [2]普林斯顿大学 [3]北卡罗莱纳大学

出　　处：《中华文化论坛》2022年第2期111-121,158,159,共13页Journal of Chinese Culture

基　　金：国家留学基金委艺术类人才培养特别项目基金(CSC NO.201807670007)阶段性成果

摘　　要：19世纪中后期,戏院和戏曲成为美国旅中研究者了解中国民情、研究中国社会、向美国民众输入中国国情和文化的重要媒介,卫三畏的译介开启了美国学界的中国戏曲研究。自此至20世纪40年代是美国学界对中国戏曲研究的起始阶段,主要研究者包括美国作家凯特•布斯等、长期旅居中国的“中国通”型学者阿灵顿、祖克等以及美籍华裔学者梁乾社和程修龄等,他们对中国戏曲的积极推广为美国民众对中国戏曲的理解和接受做出重要贡献;20世纪30年代《天下月刊》所载戏曲类文章为美国汉学界戏曲研究起到了重要作用。这一阶段的相关著作是美国中国戏曲研究进入20世纪60年代丰产期的重要铺垫。In the mid-to-late 19th century,theater and opera became an important medium for American researchers(missionaries and other scholars)who traveled to China to understand Chinese folklore,study Chinese society,and import Chinese national conditions and culture to the American public,and Wei Sanwei's translation initiated the study of Chinese opera in American academia.From this time until the 1940s,the American academic community began to study Chinese opera,and the main researchers included American writers such as Kate Booth,long-time Chinese scholars such as Arrington and Zook,and Chinese-American scholars such as Liang Qianshe and Cheng Xiuling.Their active promotion of Chinese opera made an important contribution to the American public's understanding and acceptance of opera;the articles on opera in the 1930s in the World Monthly played an important role in the study of opera in American sinology.The articles published in the 1930s in the World Monthly played an important role in the study of Chinese opera in American sinology.The works of this period were an important preparation for the prolific period of Chinese opera studies in the United States in the 1960s.

关 键 词：美国中国学 戏曲研究 发端 

分 类 号：G125[文化科学]