基于祖先崇拜观念中的祭祀图像的形态与场域研究  

On the morphology and field of sacrificial images in ancestor worship

作　　者：程万里[1] CHENG Wan-li

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《东南大学学报（哲学社会科学版）》2022年第2期115-121,148,共8页Journal of Southeast University(Philosophy and Social Science)

基　　金：国家社会科学艺术类重点项目“中国祭祀图像的历史重构”(20AF008)阶段性成果。

摘　　要：先民将与自我环境、空间发生视觉联系的物体作为制像的素材纳入祭祀图像形态建构中,但在考虑自身生存与延续的基础上思索自身的起源问题的时候,逐步将祖先形象从动植物朝着人格化祖神的方向转变,与思想信仰的变化相对应,图像形态也从表现神灵的动物转为关注人类自身,成为一种可视的、永久的图像表征。实际上,任何时代都是在过去的基础上加以传承、发展和延续,即使原型的身份已经变得模糊和陌生,或者在历史中的长河中久不在“场”,但是出于共同的主题,祭祀图像仍旧会在一个有序的信仰体系下继续发生、繁衍,从而形成一个功能的“时间链”以及形式的“变体链”,最后呈现为某种“类型化”的、符合特定时代语境的“视像结构”。Ancestors chose the objects in their physical environment as the materials when they created the morphology of sacrificial images. Given their survival and reproduction,they gradually changed their choices from animals and plants to deified ancestors. Accordingly,the image morphology also changed into a visual and permanent image representation. The present carries forward the past. Even if the identity of the prototype has been forgotten or has not been “present”,the sacrificial images continue to exist and pass down,forming a“chain of time”and a“chain of morphology”,and ultimately takes on a specific type of“visual structure”fit to a certain period.

关 键 词：祭祀图像 祖先崇拜 形态 图腾 场域 

分 类 号：B933[哲学宗教—宗教学]