温克尔曼论感觉能力:“石膏浆液”“热”及具身性  

On Winckelmann's Ideal Sensory Ability:“Gypsum Paste”,“Heat”and Others

作　　者：高砚平 GAO Yan-ping(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《美育学刊》2022年第2期69-75,共7页Journal of Aesthetic Education

基　　金：国家社会科学基金重大项目“西方美育思想史”(15ZDB024)的研究成果。

摘　　要：温克尔曼在《论感觉艺术之美的能力及其养成》一文中提出艺术感受力的相关理论,他将理想的感觉能力比作“石膏浆液”,相应地,又以“热”描述艺术对象对观赏者的效果,这两点及其相关的艺术批评与艺术史学共同指向其感受理论的具身性特征。In his article“The Ability to Feel the Beauty of Art and Its Cultivation”,Winckelmann puts forward the relevant theory of artistic sensibility,focusing on the properties of inner sensation,and assimilates the ideal sensory ability to“plaster paste”.He uses“heat”to describe the effect of the artistic object on the viewer,which actually implies the emotional motivation of the object in the aesthetic experience.His study of ancient art history shows that there is a certain relationship between sensory ability and local environment,and the intermediary factor is physical consciousness.

关 键 词：温克尔曼 “石膏浆液” “热” 内感官 具身性 

分 类 号：J0[艺术—艺术理论]