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作 者:钱坤 QIAN Kun
机构地区:[1]北京外国语大学英语学院
出 处:《广东外语外贸大学学报》2022年第1期145-156,160,共13页Journal of Guangdong University of Foreign Studies
摘 要:"反诗"即现代工业体系中,依据传统审美和诗学,毫无美感和诗意的现象、物或人。美国现代派诗人威廉·卡洛斯·威廉斯秉承"直接接触"理论,以"反诗"作为素材,采用视觉艺术技巧创作诗歌,并试图以其作品医治美国的疾病,实现其治国理想。他的反叛性和现代性决定了他的复杂性。因此,从哲学、美学、诗学和社会历史的角度出发,进行跨学科研究,重新审视威廉斯和他的"反诗",有益于更深入、全面地理解他的诗歌,更客观地评价他的成败得失。The “anti-poetic” refers to phenomena,things or humans in the modern industrial system,which are not beautiful or poetical at all in accordance with traditional aesthetics and poetics. William Carlos Williams,a modernist American poet,maintains his theory of“immediate contact”,chooses them as raw materials and adopts techniques of visual arts,to write poems through which he attempts to cure America’s disease and attain his ideal of national governance. His rebellion and modernity entails his complexity. Therefore,the practice of an interdisciplinary study to review the poet and his“the anti-poetic”from multiple perspectives of philosophy,aesthetics,poetics and socio-history is beneficial to a deeper and more comprehensive understanding of his poetry and a more objective evaluation of his success and failure.
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