丽江周边地区的洞经音乐及其影响  

Dongjing Music And Its Influence In The Surrounding Areas Of Lijiang

作　　者：杨杰宏[1] Yang Jiehong(Institute of ethnic literature,Chinese Academy of Social Sciences,Beijing 100732)

机构地区：[1]中国社会科学院民族文学研究所,北京100732

出　　处：《内蒙古艺术学院学报》2022年第1期102-109,共8页Journal of Inner Mongolia Arts University

基　　金：国家社科基金项目“川滇地区东巴史诗的搜集整理研究”(18BZW187)系列研究成果;中国社科院登峰战略重点学科中国神话学项目及中国社会科学院民族文学研究所国情调研基地(玉龙县)项目阶段性成果。

摘　　要：清代时期的大理地区已成为云南洞经音乐的传播中心,大理洞经音乐不仅对其境内的巍山、鹤庆、剑川等地深受影响,同时,也传播到邻近的丽江纳西族地区。其中,永胜、鹤庆、剑川三地因与丽江在政治、地理、经济、文化上来往密切,对丽江洞经音乐的形成与发展影响极大。这种影响从洞经音乐的曲目、音乐风格、经文内容、乐器等方面得以体现。Dali area in the Qing Dynasty has become the communication center of Yunnan Dongjing music.Dali Dongjing music has not only deeply affected Weishan,Heqing,Jianchuan and other places in its territory,but also spread to neighboring Lijiang,Yongsheng and other places.Among them,Yongsheng,Heqing and Jianchuan have a great impact on the formation and development of Lijiang Dongjing music because they are closely related to Lijiang in politics,geography,economy and culture.This influence is reflected in the repertoire of Dongjing music,cultural space,Scripture content,musical instruments and so on.

关 键 词：纳西族 丽江洞经音乐 文化空间 大理洞经音乐 

分 类 号：J6[艺术—音乐]