宋代巴蜀地区墓葬石刻的三层象征性空间  

A brief discussion on the three-level symbolic space of tomb stone carvings in Bashu area of the Song dynasty

作　　者：夏悦 孙垂利[2] XIA Yue;SUN Chuili(College of Humanities,Zhejiang Normal University,Jinhua 321004,China;Art Museum,Sichuan Fine Arts Institute,Chongqing 400053,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004 [2]四川美术学院美术馆,重庆400053

出　　处：《浙江师范大学学报（社会科学版）》2022年第2期67-77,共11页Journal of Zhejiang Normal University(Social Sciences)

摘　　要：宋代巴蜀地区拥有大量造型精美、内容丰富的墓葬石刻。这些墓葬石刻由于其配置和各自展现的功能,在地下构建出一个特殊的象征性的礼仪空间。本文基于艺术史研究关于“空间性”的理论范式,通过考察这些墓葬石刻的内容及其功能,发现其为死者构建的象征性空间是以死者为中心,分为既相互独立又相互杂糅的三个层面:为死者提供如生前一般幸福而安宁的地下家园、一个永恒祭祀和供养死者的地下礼仪空间,以及使墓主人恍如置身仙境与佛国的宗教空间。本文试图在学界现有研究基础上,从墓室的原境出发,系统阐释巴蜀宋墓石刻被制作的目的和功能,对推动巴蜀宋墓石刻的文化功能的整体性研究有一定的价值。In the Song dynasty,there were a large number of exquisite tomb stone carvings with rich content in Bashu area.Their configuration and functions created a special symbolic etiquette space underground.Based on the theoretical paradigm of “spatiality” in art history research,this paper studies the themes and functions of these tomb stone carvings and finds that this symbolic space is centered on the deceased.It includes three independent and intermingled levels:a happy and peaceful underground home as before for the deceased,an underground ceremonial space for eternal sacrifices,and a sacred space which can make the deceased feel in a fairyland.Based on the existing research,this article attempts to systematically explain the purpose and function of tomb stone carvings in Bashu area of the Song dynasty from the original environment of the tomb,which,to some extent,promotes the overall study of the cultural function of the tomb stone carvings in Bashu area of the Song dynasty.

关 键 词：宋代巴蜀地区 墓葬石刻 地下家园 礼仪空间 宗教空间 

分 类 号：K244-245[历史地理—历史学]