苏珊·桑塔格研究在中国的十年嬗变  

The Evolution of Susan Sontag Research in China in the Past Dec ade

作　　者：陆道夫[1] 谢慧 LU Dao-fu;XIE Hui(Guangzhou University,Guangzhou Guangdong 510006)

机构地区：[1]广州大学外国语学院,广东广州510006

出　　处：《广东技术师范大学学报》2022年第1期84-90,共7页Journal of Guangdong Polytechnic Normal University

基　　金：2018年教育部人文社科规划基金项目“跨文化交际伦理规范构建研究”(项目编号:18YJA740017)。

摘　　要：苏珊·桑塔格是当代西方最引人瞩目、最具争议的女学者、作家、文艺批评家之一,有“美国最智慧的女人”之称。近年来,苏珊·桑塔格的译介在国内得到诸多学者的不断引入,桑塔格研究的热潮也一直持续不断。在此背景下,爬梳整理中国近十年桑塔格研究的文献资料,从创作论、艺术观、疾病隐喻和政治介入等四个方面进行综述评价,可以窥探未来桑塔格研究在中国的研究路径和态势:国内桑塔格研究今后应更多关注桑塔格后期的创作和思路发展,研究重心和视角也亟待朝着多元化和本土化方向拓展,从而有望推动桑塔格研究在中国实现质的飞跃。Susan Sontag was one of the most prominent and controversial female scholars,writers and literary critics in the contemporary West.She was known as“the most intelligent woman in America”.In recent years,Sontag's works have been translated and introduced by many scholars in China,and the upsurge of Sontag research has continued.In this background,the literature of Sontag research in China in recent ten years is sorted out,summarized and evaluated from four aspects:creation theory,artistic view,disease metaphor and political intervention.The research path and trend of Sontag research in China in the future are revealed:domestic research on Sontag should pay more attention to Sontag’s later creation and development of ideas,and the focus and perspective of the research should also be expanded towards localization and diversification,which will hopefully lead to qualitative progress of Sontag research in China.

关 键 词：苏珊·桑塔格 创作论 艺术观 疾病隐喻 政治介入 

分 类 号：I712.06[文学—其他各国文学]