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作 者:曹莉[1] Cao Li(School of Foreign Languages,Hunan University,Changsha 410082,Hunan,China)
出 处:《长江学术》2022年第2期81-89,共9页Yangtze River Academic
基 金:教育部人文社会科学研究一般项目“近代日本‘中国文学’学科生成史研究”(20YJA752001)。
摘 要:“中国文学史”如何在日本发生这一问题,学界关注较多却暂未见深入探讨。“中国文学史”著述在日本发生,是诸多要素交错影响的结果。明治时期文学观念的近代嬗变为中国文学史书写提供了叙述内容模板,西方史学方法论的导入为其提供了叙述范式,而明治时期对传统学问的回归、和汉的对立以及西方中国学的刺激则为“中国文学史”发生提供了可能。这一现象可说是近代日本在西方学术思想影响下,对传统学问的自省及内部调整的结果,也意味着近代日本“中国文学史”学科的诞生。How the idea of“Chinese Literary history”was born in Japan has always attracted scholars’attention,but it is not clearly delineated.The paper proposes that the modern evolution of Meiji period’s literary concept provided a narrative template for the writing of Chinese literary history;the introduction of western historiographical methodology provided a narrative paradigm;while the return of traditional knowledge in Meiji period’s Foreign Studies,the opposition between Japanese and classical Chinese,and introduction of Western Sinology provided the possibility of“Chinese literary history”.All the above factors contributed to the birth of“Chinese Literary history”in Japan.This phenomenon can be said to be the result of modern Japan’s introspection and internal adjustment of traditional learning under the influence of western academic thoughts,which had given birth to modern Japan’s discipline of“Chinese literary history”.
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