The Trans/national Cultural Economy of Latin American Film Musicals(1930s-50s)  

作　　者：Peter W.Schulze 

机构地区：[1]University of Cologne

出　　处：《Journal of Foreign Languages and Cultures》2021年第2期127-142,156,共17页外国语言与文化（英文）

摘　　要：This essay traces the tensions between national imaginaries and transnational global media flows of tango,samba,and ranchera film musicals,taking into account their cross-media and intercultural configurations as well as interconnections between these three“transgenres.”From a comparative perspective and by means of a“histoire croisee,”or crisscrossing history,it touches upon developments in early Latin American sound film,Hollywood’s Spanish-language films and its Pan-Americanism,Spain’s cinematic Hispanoamericanismo,and PanLatin American film productions.The essay makes a case for the multifaceted trans/national cultural economy of the tango,samba,and ranchera film musical productions during their main phase,in the 1930s and 40s.

关 键 词：TANGO SAMBA ranchera transgenre crisscrossing history GLOBALIZATION CINEMA 

分 类 号：J991[艺术—电影电视艺术]