《琵琶记》用韵研究  

Research on Rhymes of Notes of Pipa

作　　者：俞为民[1,2] YU Weimin

机构地区：[1]温州大学,温州325035 [2]中国古代戏曲学会

出　　处：《浙江艺术职业学院学报》2021年第4期40-50,共11页Journal of Zhejiang Vocational Academy of Art

基　　金：2019年度国家社科基金“冷门绝学和国别史研究”专项阶段成果(项目编号:19VJX148)。

摘　　要：前人多因高明自称“不寻宫数调”而批评其《琵琶记》用韵杂乱,不合韵律。其实《琵琶记》的用韵通押并不都是失韵违律,其中如在南方语音中,发声出字或收声归韵相近的韵部相互间的通押,这是一种变通的用韵方法,兼顾了南方语音的特征,不算失韵。《琵琶记》的用韵也受到北曲用韵的影响,通押现象减少,闭口韵、入声单押。《琵琶记》的用韵与剧作的内容相结合,多能与故事情节、人物、时空的变化来选用和改换曲韵。Former scholars often criticized Notes of Pipa for its chaotic rhyme due to the author’s claim of“not finding the tone according to the traditional modes”. As a matter of fact,the use of rhyme in Notes of Pipa is not all rhyming loss and violation. As a matter of fact,the use of rhyme in Notes of Pipa is not all rhyming loss and violation. For example,in the southern pronunciation,the rhyming parts with similar pronunciation could be used as mutual rhyming,which is a flexible method of rhyme use,taking into account the characteristics of the southern pronunciation,and is not rhyming loss. The use of rhymes in Notes of Pipa was also influenced by the Northern Drama,which reduced the phenomenon of mutual rhyming,but improved the usage of closed rhymes and entering tone words. The rhyme of Notes of Pipa is in harmony with the meaning of the song,and the rhyme can be selected and changed according to the of the plot,characters,time and space.

关 键 词：《琵琶记》 用韵 通押 中州韵 

分 类 号：J818[艺术—戏剧戏曲]