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作 者:李小红[1] 贺婧洋 Li Xiaohong;He Jingyang(Department of Chinese Language and Literature,Northwest Minzu University,Lanzhou,Gansu 730030,China)
机构地区:[1]西北民族大学中国语言文学学部,甘肃兰州730030
出 处:《黑龙江工业学院学报(综合版)》2022年第2期134-142,共9页Journal of Heilongjiang University of Technology(Comprehensive Edition)
基 金:国家社科基金项目“中国当代小说的城市书写研究(1978—2018)”(项目编号:20BZW044);甘肃省青年博士基金项目“当代西部少数民族文学中的中华民族共同体意识研究”(项目编号:2021QB—149)的阶段性成果。
摘 要:中国百余年的现代化进程中,最令人瞩目的社会转型发生在有着悠久农业社会形态和以儒释道兼容互补的传统文化为内核的乡村,乡村遂成为20世纪中国文学的叙事原型和母题。进入新世纪以来,感应着中国乡土社会发生的剧烈变动,乡土再次成为不同代际作家书写和关注的焦点。新世纪乡土长篇小说创作,作家往往能够站在一个比较广阔的历史视野中,小说中凸显出一种多元化、复杂性的乡土历史叙事意向和构建立体、多面的乡村现实形象的努力。与独特的乡村经验的书写和乡村形象的塑造相一致,新世纪以来作家的乡土叙事在美学风格上呈现出多样化的趋势,这主要得益于作家在小说文本结构和语言上的匠心独运。In the course of China’s modernization for more than 100 years,the most remarkable social transformation took place in the countryside with a long agricultural social form and the traditional culture of compatibility and complementarity between Confucianism,Buddhism and Taoism as the core. The countryside became the narrative prototype and motif of Chinese literature in the 20th century. Since entering the new century,sensing the great changes in Chinese rural society,rural has once again become the focus of writers in different generations. In the creation of local novels in the new century,writers are able to create from a relatively broad historical perspective. The novel highlights a diversified and complex historical narrative intention of local novels and constructs three-dimensional and multi-faceted rural realistic images. Consistent with the unique writing of rural experience and the shaping of rural image,the aesthetic style of rural narration of writers has shown a diversified trend since the new century,which mainly benefits from the writer’s ingenuity in the text structure and language of the novel.
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