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作 者:周锐 ZHOU Rui(School of Foreign Languages,Anhui Polytechnic University,Wuhu 241000,Anhui Province,China)
机构地区:[1]安徽工程大学外国语学院,安徽芜湖241000
出 处:《景德镇学院学报》2022年第1期25-29,共5页Journal of JingDeZhen University
基 金:安徽省高校人文社会科学研究重点项目(SK2018A0107);安徽工程大学校级科研项目(Xjky2020154)。
摘 要:莎士比亚在《李尔王》中,运用身体和精神的病理现象,呈现传统与当代的磨合与分裂,探讨疾病叙事包含的隐喻意义和价值指向。这部悲剧围绕“疯”和“瞎”两个中心意象,建构了“情境”与“发现”之间相辅相成的关系。在旧式封建伦理道德与新兴人文主义两种新旧价值观念的碰撞过程中,把人物抛入矛盾生存境遇中,用真实的感知和体验来阐释其性格的发展史,并通过性格缺陷演绎理想的失落,以传达文艺复兴时期的时代主题和道德取向。In King Lear,Shakespeare shows us the grinding-in and splitting between the tradition and the contemporary with the use of pathological phenomena of body and spirit,and discusses the metaphorical meaning and value orientation of disease narrative.Centering around the two images of"madness"and"blindness",this tragedy constructs a complementary relationship between"situation"and"discovery".In this paper,it's revealed that in the process of the collision between the old feudal ethics and the new humanism,Shakespeare first throws the characters into the contradictory living conditions,and then expounds on their growing stages with his real perception and experiences,and next works out the loss of ideal based on their personality defects,so as to convey the theme and moral orientation of the Renaissance.
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