裴铁侠的悲情人生及其《沙堰琴编》述考  

Pei Tiexia's Tragic Life and His Shayan Qin Pu

作　　者：章华英 Zhang Huaying

机构地区：[1]中央音乐学院音乐学研究所,北京100031

出　　处：《南京艺术学院学报（音乐与表演版）》2022年第1期1-11,I0002,共12页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2020年国家社科基金冷门绝学研究专项学术团队项目(批准号:20VJXT007)的阶段性成果。

摘　　要：裴铁侠是近代一位颇具传奇色彩的琴家。他早年留学日本,民国初年担任四川省司法司司长等职,后隐逸成都郊外的沙堰,尤以所藏唐代大小雷琴而享誉琴坛。本文对裴铁侠的生平及琴事,“双雷”琴及“引凤”琴的考辨,裴铁侠编撰的《沙堰琴编》《琴余》进行解读,以期对裴铁侠的人生经历、古琴师承、藏琴、琴学著述、古琴审美思想等做一探讨和分析。他所撰著的《沙堰琴编》虽不尽完美,却是传统意义的最后一部琴谱。如今,斯人已逝,双雷不复,他留给我们的,是永远的痛惜和哀伤!Pei Tiexia is a legendary qin player in modern times.He studied in Japan in his early years and served as the director of the Department of Justice of Sichuan Province in the early days of the Republic of China.Later,he retired to Shayan in the outskirts of Chengdu and was famous for his large and small lei qin collection from the Tang Dynasty.This article discusses and analyzes Pei Tiexia's life and qin affairs,the analysis of the"shuang lei"qin and the"yin feng"qin,and the Shayan Qin Pu and Qin Yu by Pei Tiexia,so as to discuss and analyze Pei Tiexia's life experience,his teaching of guqin,his collection of guqin,his writings on guqin,and his aesthetic thoughts on guqin.Although the Shayan Qin Bian written by him is not perfect,it is the last guqin music in the traditional sense.Now,the gentleman has passed away,and the shuang lei are gone.What he left us is eternal regret and grief!

关 键 词：裴铁侠 古琴 双雷琴 沙堰琴编 

分 类 号：J609[艺术—音乐] J603