陶瓷釉上书法形式研究  

Study on the Form of Ceramic Overglaze Calligraphy

作　　者：吴仕超 Wu Shichao(Jingdezhen Ceramic Institute,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇市333403

出　　处：《陶瓷研究》2022年第1期118-120,共3页Ceramic Studies

摘　　要：陶瓷釉上书法作为书法与陶瓷艺术的桥梁具有重大的历史意义,同时也是历史考证的重要依据。陶瓷釉上书法形式多样,种类繁多,它的装饰形式与器物的型制有很大的关系,不同的器型文字装饰的位置及字体都会发生改变。同时立体与平面的装饰手法也有较大差异,本文以笔筒、壶、瓶为例,通过研究瓷上书法的材料使用,与技法的变化探讨釉上陶瓷书法的形式变化。As a bridge between calligraphy and ceramic art,ceramic overglaze calligraphy is of great historical significance and also an important basis for historical research.There are various forms of ceramic overglaze calligraphy.Its decorative form has a great relationship with the shape of the utensils.The position and font of the character decoration of different utensils will change.At the same time,there are great differences between the three-dimensional and plane decoration techniques.This paper takes the pen holder,pot and bottle as an example,and discusses the form changes of overglaze ceramic calligraphy by studying the use of materials and the changes of techniques.

关 键 词：瓷上书法 书写材料 技法 形式变化 

分 类 号：J0[艺术—艺术理论]