中国传统刻本文字的再生研究与运用——以清朝《论语集注》刻本为例  

RESEARCH AND APPLICATION OF THE REGENERATION OF CHINESE TRADITIONAL BLOCK ENGRAVED CHARACTERS – TAKING THE PRINTED EDITION OF THE ANALECTS IN QING DYNASTY AS AN EXAMPLE

作　　者：李佛君 邱漠河[1] 

机构地区：[1]广州城建职业学院

出　　处：《包装与设计》2022年第1期142-143,共2页Package & Design

基　　金：广东省哲学社会科学规划2019年度项目(GD19CYS09);2021广东省普通高校特色创新类项目(2021WTSCX317);广州市哲学社会科学发展“十三五”规划2020年度课题(2020GZYB86);2020广州城建职业学院人文社科课题(2020Ysk09);2020KYPT03智能字体设计应用协同创新中心。

摘　　要：传统刻本是刻印而成的书,随着时代的变迁和雕版印刷技术的发展,许多书商、私家和某些官府都刻印图书,形成了宋、元、明、清不同时代的刻本。本文以清刻本《论语集注》为研究对象,在分析载体环境的客观条件、刻版的工具操作工艺、工匠共性水平基础上,以现代设计学理念,利用现代智能造字技术,还原清刻本的意境之美,把"横平竖直、横轻竖重、方正端庄、结构紧密"清刻本的雕刻规律,通过创新思维活化字体,再造艺术表现力,继承刻本的结构美感和韵味,便于现代古籍出版和多场景应用,包括应用于电子阅读、中文字体字库设计和相关实证分析等。Traditional engraved editions are engraved books. With the changes of the times and the development of engraving and printing technology, many booksellers, private and some government have printed books, forming the engraved books of Song, Yuan, Ming and Qing Dynasties. Based on the analysis of the objective conditions of the carrier environment, the tool operation technology of the engraving and the common level of the craftsmen, this paper takes the Qing Dynasty edition of The Analects as the research object, and uses the modern design concept and the intelligent word-making technology to restore the artistic beauty of the Qing Dynasty edition. Based on the carving rules of “horizontal and vertical, horizontal light and vertical heavy, square and dignified, close structure”, the modern intelligent lettering technology innovates the thinking, activates the font, recreates the artistic expression, and inherits the structural beauty and charm of the engraving. This is convenient for ancient book publishing and multi scene application, e-reading, Chinese font database design and related empirical analysis.

关 键 词：传统刻本 清刻本 论语集注 文字再生 

分 类 号：G63[文化科学—教育学]