原始图腾纹样在东北民间剪纸艺术中的文化表意分析  

ANALYSIS OF THE CULTURAL IDEOLOGY OF THE PRIMITIVE TOTEM PATTERN IN THE NORTHEAST FOLK PAPER-CUTTING ART

作　　者：冯利源[1] 戚墁 

机构地区：[1]大连大学美术学院

出　　处：《包装与设计》2022年第2期102-103,共2页Package & Design

基　　金：2021年度辽宁省人文社会科学基金项目。

摘　　要：原始图腾纹样作为我国优秀的民族文化艺术,在文化、历史等方面有着重要美学意义。其中,东北民间剪纸艺术具有丰富的题材与独特的文化表意、鲜明的地区特色和艺术特征,不仅反映出东北文化的内容,也是农耕文化的产物。在剪纸创作过程中,创作者根据自己的情感与喜好,通过结合大量的原始图腾纹样、神话传说、民族信仰等等来进行剪纸创作,赋予了剪纸作品丰富的文化寓意和丰富的精神内涵,不仅反映了人民的实际生活,亦反映了劳动人民消灾祈福的美好期盼。本文对原始图腾纹样在东北民间剪纸艺术中的文化表意进行了分析。As an excellent national culture and art of China, primitive totem patterns have important aesthetic significance in culture and history. Among them, the Northeast folk papercutting art has rich themes, unique cultural expressions, distinctive regional characteristics and artistic characteristics, which reflect the content of Northeast folk culture and farming culture.In the process of paper-cutting creation, creators combine a large number of original totem patterns, myths and legends, national beliefs, etc., according to their own emotions and preferences.These paper-cutting works have rich cultural meanings and rich spiritual connotations, which not only reflect the daily life of the people, but also reflect the good expectations of the working people to eliminate disasters and pray for blessings. This paper analyzes the cultural ideology of the primitive totem pattern in the Northeast folk paper-cutting art.

关 键 词：东北民间剪纸 原始图腾纹样 文化 

分 类 号：G62[文化科学—教育学]