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机构地区:[1]南京林业大学艺术设计学院
出 处:《包装与设计》2022年第2期110-111,共2页Package & Design
基 金:南京林业大学2021年大学生创新训练项目“老旧小区的景观适应性设计”(2021NFUSPITP0382)的研究成果。
摘 要:维克多·帕帕奈克提出的关于为真实的世界设计,其实质就是强调设计师要把人与自然达到和谐视为己任,激发设计师的道德责任感,在世界范围内真正解决社会发展与环境自然之间的矛盾。在现代,人性与科技相分离,人和人之间、人和自然之间日趋疏远,人们开始把身体上的、精神上的不适,与生存环境和生活空间联系起来。在绿色设计思想的觉醒下,越来越多对环境和人类未来有责任心的设计师将“以人为本”作为设计的宗旨,力求产品-人-环境之间实现和谐。本文论述了帕帕奈克“真实世界”理论视域下的绿色设计。The essence of Victor Papanek’s proposal for designing for the real world is to emphasize that designers should regard it as their responsibility to achieve harmony between man and nature. This theory inspires designers’ sense of moral responsibility to truly resolve the contradiction between social development and environmental nature worldwide. In modern times,human nature and technology are separated, and people and nature are increasingly alienated. People begin to associate physical and mental discomfort with their living environment and living space. With the awakening of green design concept, more and more designers who feel the responsibility for the environment and the future of mankind take “people-oriented” as their design tenet, and strive to achieve harmony between products, people and the environment. This paper discusses green design from the perspective of Papanek’s “Real World” Theory.
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