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作 者:保虎[1] Bao Hu
机构地区:[1]云南民族大学
出 处:《中国文化研究》2022年第1期32-42,共11页Chinese Culture Research
摘 要:艺术既是人类认识、掌握世界的一种手段和方式,又是一种特殊的意识形态。马克思关于“艺术的生产”的理论,既强调将其与物质条件联系在一起,即以“物质的生产”内涵解释“艺术的生产”,又强调将其与精神条件关联在一起,即以“精神的生产”实质进一步阐释“艺术的生产”,从而彰显了文艺之关联性及独立性。这一理论有力地支撑、引领了我国艺术生产实践。中国共产党在长达百年艰辛探索中,将这一理论与中国革命、建设和改革的实践结合起来,形成了中国特色社会主义文艺思想。近年来,在商业利益的驱使下,马克思主义“艺术的生产”指导思想常被抛掷脑后,致使“生产的艺术”质量不高、灵气不足,呈异化倾向。这种现象值得深入研讨。鉴于此,进入新时代,全面而深刻地解读马克思主义“艺术的生产”思想体系,方能正本清源,才能甄别“生产的艺术”的优劣,才能为当下及今后我国艺术生产实践走出误区、走向光明、指明理论方向并提供百年实践经验借鉴。Art is not only a means and way for human beings to understand and master the world,but also a special ideology.Marx’s theory of“art production”not only emphasizes linking it with material conditions,that is,interpreting“art production”with the connotation of“material production,”but also emphasizes linking it with spiritual conditions.The essence of“spiritual production”further interprets“artistic production,”thus demonstrating the relevance and independence of literature and art.This theory strongly supported and led the practice of art production in China.The Communist Party of China has combined this theory with the practice of Chinese revolution,construction,and reform through a hundred years of arduous exploration,forming a socialist literary and artistic thought with Chinese characteristics.In recent years,driven by commercial interests,the guiding ideology of“art production”of Marxism has often been left behind,resulting in the low quality and insufficient aura of“production art,”and a tendency of alienation.This phenomenon is worthy of in-depth study.In view of this,entering the new era,only by fully and profoundly interpreting the Marxist ideological system of“art production”can we correct the roots and discern the pros and cons of“art of production,”and can point out the theoretical direction for the current and future artistic production practice of China to get out of the wrong area,to the light,and provide a hundred years of practical experience for reference.
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