《在迷宫里》的图像叙事迷宫  

Title:A Maze of Narrative Imagery:Dans le Labyrinthe

作　　者：桂青云 张新木[2] Gui Qingyun;Zhang Xinmu(Nanjing University,Nanjing,China,210023)

机构地区：[1]南京大学外国语学院,210023 [2]南京大学外国语学院法语系,210023

出　　处：《当代外国文学》2022年第1期90-96,共7页Contemporary Foreign Literature

基　　金：2020年南京大学博士研究生创新研究项目“罗伯—格里耶小说图像研究——文学图像的可感与可知”(CXYJ21—19)的阶段性成果。

摘　　要：出于对传统叙事策略的质疑,罗伯—格里耶在《在迷宫里》这部小说中摒弃了因果逻辑秩序。陈述人物状态的话语不再被用以辅助和解释人物行为的转换,而是呈现破碎的文字图像,形成由图像所主导的叙事脉络。当传统的叙事逻辑断裂,图像摆脱既定可知性的束缚,在文本中释放出自主的可感力。而当图像在文本中以另外的方式联结,它则被建构为图像的迷宫,并被指向事物与文本秩序的不可知。基于相似性的图像配置进一步构筑了迷宫式的故事环境和文本创作结构,它们营造出人物主体和创作主体的迷失困顿,读者被围困在双重的迷宫中,难以找到任何秩序的标识和意义的出口。Robbe-Grillet’s rejection of the logic of causal order in his novel writing demonstrates his skepticism with regards to traditional narrative strategies.In Dans le labyrinthe,a description of the state of characters is not used to assist the reader and explain their behavior.Instead,we have a narrative line of broken images.When traditional narrative logic fractures,images break free from established rules of intelligibility.The text constructs a maze of images,where the images and their arrangement point towards unknowability.The configuration of similar images constructs a labyrinthine plot and textual structure.The main character and the creator are disoriented,while readers,trapped in a maze that doubles in on itself,are unable to find any sign of order or any exit into meaning.

关 键 词：罗伯—格里耶 图像 叙事 迷宫 

分 类 号：I565.074[文学—其他各国文学]