贾平凹地方书写的“非虚构”探索——以《通渭人家》《定西笔记》为例  

Exploration of“Nonfiction”in Jia Pingwa’s Local Writing:Taking Tongwei Family and Dingxi Notes as Examples

作　　者：彭岚嘉[1] 盛开莉 PENG Lan-jia;SHENG Kai-li(School of Chinese Language and Literature, Lanzhou University, Lanzhou 730030,China;Department of Chinese Language and Literature, Northwest Minzu University, Lanzhou 730030, China)

机构地区：[1]兰州大学文学院,甘肃兰州730030 [2]西北民族大学中国语言文学学部,甘肃兰州730030

出　　处：《西北大学学报（哲学社会科学版）》2022年第3期110-117,共8页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：甘肃省哲学社会科学规划项目“生态文明视域下的甘肃生态文学研究”(YB019)。

摘　　要：贾平凹相隔十年写下的两篇针对同一地区的纪实性作品《通渭人家》《定西笔记》,在“非虚构”热潮背景下,具备了历史的意味。两作以“非虚构”对事实的发现,给予这些因偏狭的眼光而变得单一的地方以立体多维的形象,拓展了人们对当下中国现实的认知;同为“行动”和“在场”的非虚构之作,较之《通渭人家》,《定西笔记》在个体经验的介入方面更加深入,彰显了非虚构写作主体的自觉意识;在文学性的深层把控方面,具有更为充分的经验。比较分析两作的“非虚构”书写,对于当下“非虚构写作”的研究具有启发意义。Jia Pingwa’s documentary works Tongwei Family and Dingxi Notes,which are set in the same area,have a writing span of ten years.In the background of the“nonfiction”boom,they have a historical meaning.The two works discover the facts with“nonfiction”,give these places a multi-dimensional image,and expand people’s cognition of the current Chinese reality.As a non-fiction work of“action”and“presence”,Dingxi Notes is more profound in the intervention of individual experience than Tongwei Family,which shows the self-consciousness of the subject of non-fiction writing.In the deep control of literariness,Dingxi Notes has more sufficient experience.A comparative analysis of the“nonfiction”writing of the two works is of enlightening significance for the current research of“nonfiction writing”.

关 键 词：非虚构写作 《通渭人家》 《定西笔记》 地区形象 自觉意识 

分 类 号：I206.7[文学—中国文学]