海是真正的世界:康拉德海洋小说海洋空间的建构  

The Sea the Only World that Counted:the Construction of Marine Space in Conrad’s Sea Novels

作　　者：梁家上 LIANG Jiashang(School of Literature,Guangxi University of Foreign Languages,Nanning 530222,China)

机构地区：[1]广西外国语学院文学院,广西南宁530222

出　　处：《浙江海洋大学学报（人文科学版）》2022年第1期44-50,共7页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：广西高校中青年教师科研基础能力提升项目“文学地理学视域下的康拉德海洋小说及其共同体思想研究”(编号:2020KY63014)。

摘　　要：康拉德是举世公认的海洋小说大师,创作了《阴影线》《“水仙号”的黑水手》等多部经典海洋小说,创造了一个诗情画意又富有道德感的海洋空间。本文通过文学地理学的批评方法,探究康拉德海洋小说中海洋空间的建构问题。在对海洋空间进行总体描述基础上,将海员精神、自我发现、成长之域及时间刻度四个方面作为海洋空间建构的重点进行剖析,揭示其所展现的审美价值,以此呈现康拉德对自然、社会和人生的思考。Conrad is a world-recognized master of sea novels.He has created many classic sea novels,such as The Shadow Line,The Nigger of the‘Narcissus’and so on,creating a poetic and moral marine space.This paper explores the construction of marine space in Conrad’s sea novels through the critical method of literary geography.Based on the overall description of marine space,this paper analyzes the four aspects of the seaman’s spirit,self-discovery,growth domain and time scale as the focus for the construction of marine space,thus revealing its aesthetic value so as to present Conrad’s reflection on nature,society and life.

关 键 词：康拉德 海洋小说 海洋空间 建构 审美价值 

分 类 号：I561.074[文学—其他各国文学]