浅析屏南四平戏的艺术形态  

On the Artistic Form of Siping Opera in Pingnan

作　　者：林雅荔[1] Lin Yali(School of Music,JiMei University,XiaMen 361021,China)

机构地区：[1]集美大学音乐学院,福建厦门361021

出　　处：《黑河学院学报》2022年第2期167-169,共3页Journal of Heihe University

摘　　要：四平戏,源于明代“稍变弋阳”的四平腔。四平腔形成于明嘉靖万历年间,曾经流行大半个中国,在中国戏剧史上占有十分重要的地位。明末时期,分三路传入福建,一路传入闽东的屏南、宁德等地;一路传入闽北的政和等地;一路传入闽南漳属广大地区。屏南四平戏至今仍保留着明代四平戏的许多特征,被戏曲界称为“中国四平戏的活化石”。Siping opera is originated from Siping tune in the Ming Dynasty,“getting slightly changed from Yiyang”.Siping tune,formed in the Wanli,Jiajing period of Ming dynasty,gets popular in most of China and occupies a very important position in the drama history in China.In the late Ming dynasty,it is introduced into Fujian in three ways:one way is to Pingnan,Ningde and other places in eastern Fujian;a second way is to Zhenghe and other places in Northern Fujian;a third way is to vast areas in Zhangzhou,southern Fujian.Siping opera in Pingnan still retains many characteristics of Siping opera in Ming Dynasty,which is called“living fossil of Siping opera in China”by opera circles.

关 键 词：四平戏 弋阳腔 艺术形态 

分 类 号：J825[艺术—戏剧戏曲]