语典视域下宋人词话之间的互动与影响——以《苕溪渔隐丛话》与《能改斋漫录》为中心  

Interaction and Influence of Notes and Comments on Ci Poetry belong to the Song Dynasty from the Perspective of Utterance Allusion:Focusing on Nenggaizhai Manlu and Tiaoxi Yuyin Conghua

作　　者：孙泽豪 SUN Ze-hao(School of Chinese Language and Literature, Central China Normal University, Wuhan 430079, China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《湖北文理学院学报》2022年第4期47-52,共6页Journal of Hubei University of Arts and Science

摘　　要：关于语典出处的讨论是宋代词话中值得注意的一类现象。就这一论题而言,宋人绝不仅仅是单方面的自我表达,双方甚至多方的交流互动则更能体现对此的重视。在这种互动里,语典作为多种形式的材料被吸收、使用,也引发冲突;从词话作者对原词作的接受形式到自我表达的方式,它最终的意义甚至超出了原初论题的范围,转而具有更深远的文化史和文论史意义。现存文献中,胡仔《苕溪渔隐丛话》和吴曾《能改斋漫录》呈现这一现象最为显著,可以看作是互动的焦点和中心。The discussion about the source of utterance allusion is a kind of phenomenon worth noting in notes and comments on ci poetry of the Song dynasty.As far as this topic is concerned,the Song people’s words are by no means just a unilateral self-expression,and the exchanges and interactions between two parties and even multiple parties can better reflect the importance of this.In this interaction,utterance allusions are absorbed and used as various forms of material,which also lead to conflicts.From the way that the author of the poem accepts the original poem,to the way of self-expression,its ultimate meaning even goes beyond the scope of the original thesis,and turns to have a more profound cultural and literary history significance.Among the existing documents,Hu Zai’s Tiaoxi Yuyin Conghua and Wu Zeng’s Nenggaizhai Manlu show this phenomenon most prominently,which can be regarded as the focus and center of interaction.

关 键 词：宋代词话 语典 《苕溪渔隐丛话》 《能改斋漫录》 

分 类 号：I207.23[文学—中国文学]