艺术识别:从历史叙述法到新功能主义符号美学  

Identifying Art:From Historical Narratives to Neo-Functional Semiotic Aesthetics

作　　者：周尚琴 Zhou Shangqin(School of Humanities of Southwest Jiaotong University;Institute of Signs&Media Studies of Sichuan University)

机构地区：[1]西南交通大学人文学院 [2]四川大学符号学-传媒学研究所

出　　处：《符号与传媒》2022年第1期87-100,共14页Signs & Media

基　　金：国家社科基金重大项目“当代艺术中的重要美学问题研究”(20&ZD049)阶段性成果。

摘　　要：从各种传统的功能主义到20世纪下半期的程序主义,艺术从可定义到不可定义,尤其在当下泛艺术时代,“艺术识别”成了一个凸显的美学难题。本文在分析传统功能主义、程序主义的艺术定义的基础上,仔细辨析了诺埃尔·卡罗尔提出的用历史叙述法识别艺术的重要价值,以及赵毅衡提出的新功能主义符号美学中艺术定义的意义。本文提出,将历史叙述法与符号美学的“物-符号-艺术”三联体理论结合,或许才是泛艺术化时代识别艺术的有效方法。Art has become undefinable since the shift in the second half of the 20th century from various traditional functionalisms to proceduralism.Especially in the contemporary pan-artistic era,identifying art has become a prominent problem for aesthetics.Based on the analysis of the definitions of art in traditional functionalism and proceduralism,this paper demonstrates the important value for the definition of art of Noël Carroll’s historical narratives and Chinese scholar Zhao Yiheng’s neo-functional semiotic aesthetics.The paper proposes that combining historical narratives with the object/sign/art triad of semiotic aesthetics may be an effective way to identify art in the pan-artistic era.

关 键 词：艺术识别 历史叙述法 符号美学 物-符号-艺术三联体 

分 类 号：J0-05[艺术—艺术理论]