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作 者:丹珍草[1] Dendzintso(Institute of Ethnic Literature,Chinese Academy of Social Sciences,Beijing 100732)
机构地区:[1]中国社会科学院民族文学研究所格萨尔研究中心,北京100732
出 处:《西藏大学学报(社会科学版)》2022年第1期138-144,共7页Journal of Tibet University
基 金:2022年度中国社会科学院妇女/性别研究中心项目“中华民族共同体意识与少数民族‘新女性写作’研究”阶段性成果,项目号:fnzx034-2022。
摘 要:格萨尔史诗新实践,指向“活形态”传承的“生生不息”以及“动态性”发展的多样性。“新实践”在于特定历史情境下生成的新文化档案,以及格萨尔史诗陈述方式和实践层次的多样性,强调实验性、探索性和创新性。作为非物质文化遗产和“口头传统”,从艺人说唱到书面文本,从集体记忆到个体创作,从传承形式的创新性转化到多样性实践,格萨尔史诗传承新实践,充分显示了中华民族文化基因的内在属性,对铸牢中华民族共同体意识,以及文化创新、文化交流、文化融合有重要的促进作用。A new practice of the Epic of King Gesarrefers to the "eternity" of the epic’s inheritance and the diversity inits "dynamic" development. "A new practice" lies in the new cultural archives generated in a specific historical context, and it also concerns the diversity of the epic‘s presentation and practice levels, emphasizing experimental, exploratory and innovative practice. As an intangible cultural heritage and an "oral tradition", the epic is going through a new practice of innovative and diversified inheritance in both its oral and text presentation, and in thecollective memory to individual creation of it. The new practice has the epic fully demonstrate its inherent nature of the cultural gene of the Chinese nation, helps to strengthen the sense of community for the Chinese nation, and plays an important role in promotingcultural innovation, cultural exchange and cultural integration.
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