符号学视阈下赫哲族婚服和苗族百鸟衣纹饰的比较研究  

COMPARATIVE RESEARCH ON WEDDING DRESS FROM HEZHE NATIONALIT Y AND MIAO NATIONALITY BIRDS COAT ORNAMENTATION IN SYMBOLIC VIEW THRESHOLD

作　　者：张少华 喻国伟[1] 欧阳安[2] Zhang Shaohua;Yu Guowei;Ouyang An

机构地区：[1]广西科技大学人文艺术与设计学院 [2]哈尔滨商业大学设计艺术学院

出　　处：《工业设计》2022年第4期143-145,共3页Industrial Design

基　　金：广西壮族自治区广西研究生教育创新计划项目《基于艺术人类学视角下的广西侗族非物质文化遗产与文创设计实践探索》(项目编号:YCSW2022429)阶段研究成果;黑龙江省哲学社会科学规划课题《黑龙江省渔猎民族传统手工技艺保护与发展研究》(项目编号:18YSE605)阶段研究成果;黑龙江省文化旅游厅共建项目《黑龙江流域渔猎民族传统手工技艺创新设计研究》(项目编号:2019D053)阶段研究成果。

摘　　要：文章基于符号学理论,选取一南一北两个极具文化独特性的少数民族赫哲族与苗族作为研究对象,采用案例研究与符号学的研究方法,并从中选取赫哲族婚服和苗族百鸟衣上的纹饰进行对比分析,阐释、评估其意义价值。通过对比服装纹饰产生的原因与所蕴含的意义,探究南北方纹饰符号差异的文化原因,并服务于民族非物质文化遗产的发展与文化创意产品的开发。This paper based on the theory of semiotics,so as to promote the inheritance and development of the ornamental art of ethnic minorities.The article selects the Hezhe and Miao nationalities,two culturally unique ethnic minorities,one south and one north,as the research objects,adopts the research method of case study and semiotics,and selects the decorations on the Hezhe wedding clothes and the Miao Bird clothes.Comparative analysis,interpretation and evaluation of its significance and value.By comparing the reasons and meanings of clothing decoration,we can explore the cultural reasons for the differences between the north and south decoration symbols,and serve the development of national intangible cultural heritage and the development of cultural and creative products.

关 键 词：符号学 民族纹饰 赫哲族婚服 苗族百鸟衣 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]