论潘军近期小说中的戏剧原型意象及其审美功能——以《断桥》《知白者说》《十一点零八分的火车》为例  

On the Dramatic Archetype Image and its Aesthetic Function in Pan Jun’s Recent Novels——Take Broken Bridge,The White Man's Talk,and The Train at 11:08 as an example

作　　者：方维保[1] FANG Weibao(Anhui Normal University,School of Literature,Wuhu Anhui,241002,China)

机构地区：[1]安徽师范大学文学院,安徽芜湖241002

出　　处：《安庆师范大学学报（社会科学版）》2022年第2期13-19,共7页Journal of Anqing Normal University：Social Science Edition

基　　金：安徽省社科规划基金一般项目“中国现代小说对传统戏曲资源的借鉴与转化”(AHSKY2020D142)。

摘　　要：有关戏剧的早年经验,一直存在于小说家潘军的知识和审美结构之中。这种审美情结,在潘军过去的小说叙述中,就曾起到过很大的作用,而在新近创作的《断桥》《知白者说》《十一点零八分的火车》等三篇小说中,戏剧意象的叙述功能和审美作用再次得到集中的呈现。戏剧中的人物动作造型、人物形象和故事等,以原型意象的形式化入小说叙述中,使其不但在小说的情节铺展、人物塑造和意义抽象等方面发挥结构性的叙述作用;同时,作为被充分意象化的原型和虚设的线索,也使得小说呈现出兼具现代主义和古典主义美感的诗性文本。The early experience of drama has always existed in the intellectual and aesthetic structure of the novelist Pan Jun.This aesthetic complex has played an important role in the narration of Pan Jun's past novels.In his recent novels,such as Broken Bridge,The White Man's Talk,and The Train at 11:08,the narrative and aesthetic functions of dramatic imagery presented in a concentrated manner again.Action modeling,character image and story in Chinese Drama that had been transformed into archetype imagery,not only generate his novel's plot,figure,virtual clues and philosophical significance,but also generate a poetic style with modernism and classicism.

关 键 词：潘军近期小说 戏剧 叙述功能 原型意象 诗性文本 

分 类 号：I207[文学—中国文学]