国家场域影响下大国设计的意涵  

Connotation of Country Design under the Influence of National Field

作　　者：刘晨晨[1] 张一帆[1] Liu Chenchen;Zhang Yifan

机构地区：[1]西安美术学院,陕西西安710065

出　　处：《家具与室内装饰》2022年第4期1-4,共4页Furniture & Interior Design

基　　金：陕西省青年创新团队建设科研计划项目“中国传统营建体系与当代环境艺术设计研究”(21JP091);中共陕西省委宣传部“六个一批”人才资助项目“中华之脊——秦岭文化科考与环境美学研究”;陕西省教育厅陕西高校青年创新团队:营造与当代环境艺术设计创新团队。

摘　　要：在当今世界各国文化多元交融,人类命运共同发展为主基调的背景之下,设计是能够传播国家形象、展现民族精神风貌的直接方式。当国家场域发展至一定规模时会持续影响并约束个体的行为模式,起到从上至下的规范整合作用。设计思想及设计行为必然也受到国家场域的影响,不同个体行为会衍生多种设计理念与载体形式,一方面体现出个体的创造性,另一方面体现出族群的价值取向和文化认同。在国家场域的视野下,中国设计呈现出时代精神、全域秩序、营造印记、开物导俗的精神意涵与综合性建构体系。In the context of multi-cultural integration and common development of human destiny,design is a direct way to spread the national image and show the national spirit.When the national field develops to a certain degree,it will continue to affect and restrict individual behavior patterns and play the role of planning integration from top to bottom.The design thought and design behavior must also be affected by the national field.Different individual behaviors will derive a variety of design concepts and carrier forms,which on the one hand reflects individual creativity,and on the other hand,embodies the value orientation and cultural identity of ethnic groups.From the perspective of national field,Chinese design presents the spiritual connotation and comprehensive construction system of the spirit of the times,world order,imprint creation,initiation and generation.

关 键 词：国家场域 设计 秩序 印记 开物 

分 类 号：TS664.1[轻工技术与工程]