唐代琴歌的美学思想探微  

A Study of the Aesthetics of the Tang Dynasty Qin Songs

作　　者：秦缘[1] QIN Yuan(School of Arts,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学艺术学院,甘肃兰州730000

出　　处：《兰州大学学报（社会科学版）》2022年第2期151-160,共10页Journal of Lanzhou University（Social Sciences）

摘　　要：琴歌,是将琴曲倚声填词或依字行腔配曲、合歌而咏的一种传统音乐艺术形式,是古琴演奏艺术重要的表现形式之一。唐代琴歌的美学特点是建立在唐诗美学基础之上,整体上与唐诗的审美特征相一致。其演唱遵循了诗歌语言节奏及各地乡音自身的平仄规律和发音特点,形成了特有的句逗式节拍和板眼式节拍。古琴琴歌能反映悠久、显著的民族风格和时代特点,作为中国传统音乐文化的精髓之一,承载着丰富的传统文化内涵。Being a Guqin(or Qin,a 7-stringed plucked instrument)performance form,the Qin Songs are a traditional art combining singing with music and created either by writing lyrics to the melodies or composing for the lyrics.The Qin Songs of the Tang Dynasty took shape on the aesthetic basis of Tang poetry,and these two art forms shared the same aesthetic characteristics as a whole.When the Qin Songs were performed,the singing conformed to the rhythms of the poetic language as well as the tonal patterns and pronunciation characteristics of the vernaculars,thus forming unique phonetic features like sentence pauses and music measures.As an essence of traditional Chinese music culture with the age-old prominent national style and features of times,the Guqin art carries rich connotations of traditional culture.

关 键 词：唐代 古琴 琴歌 美学思想 节拍 

分 类 号：I206.2[文学—中国文学] J601[艺术—音乐]