秦汉美学下的秦汉首饰文化探究  

Jewelry Culture Research in the Context of Qin and Han Aesthetics

作　　者：张晓燕[1] ZHANG Xiaoyan(Shanghai University of Engineering Science,Shanghai 201620)

机构地区：[1]上海工程技术大学,上海201620

出　　处：《中国宝玉石》2022年第2期65-69,78,共6页China Gems & Jades

摘　　要：历经400多年的秦汉时期是中华民族第一次大一统的辉煌时代,国强民富。政治上的中央集权,地理版图上的扩张,从中原到四夷八荒,构成了秦汉美学文化上的宇宙天下观。秦汉首饰反映了秦汉美学所体现的文化内蕴,在方寸之间呈现出秦汉文化所包含的情景相融的朴质世界以及和谐纯净中的浪漫情怀,体现了浑然一体、气势博大的汉人气概。本文在概括分析秦汉美学思想的基础上,研究秦汉首饰的文化内涵、类别与形制特征等,通过对不同类别的秦汉首饰的特征进行分析,以探究秦汉时期首饰所映射出的秦汉美学思想。The Qin and Han dynasties,which lasted more than 400 years,were a glorious era when the Chinese nation was united for the first time.The centralization of political power and the expansion of geographical territory constituted the cosmic view of the world in the aesthetics and culture of the Qin and Han dynasties.The jewelry of the Qin and Han dynasties reflects the cultural connotation in the aesthetics.The jewelry presents the simple world of scene,and embodies the Great Han spirit.Based on the analysis of the aesthetic spirit of the Qin and Han dynasties,this paper studies the cultural connotation,category and shape characteristics of the jewelry.Through the analysis of the visual characteristics of different types of jewelry in the Qin and Han dynasties,the aesthetic thoughts of that time reflected by jewelry were explored.

关 键 词：秦汉美学 首饰文化 秦汉首饰特点 

分 类 号：J01[艺术—艺术理论]