基于文化平视理念的建筑实践解析——以张轲在西藏的建筑实践为例  

The Architectural Practice Analysis Based on the Concept of Culture Equal Footing: A Case Study of Architecture in Tibet Designed by Zhang Ke

作　　者：王重阳 王加鑫 Wang Chongyang;Wang Jiaxin

机构地区：[1]南京工业大学建筑学院 [2]东南大学建筑学院

出　　处：《华中建筑》2022年第5期40-44,共5页Huazhong Architecture

摘　　要：该文从传播学视角的平视理念出发,将张轲在西藏建筑实践中所提出的文化平视理念与批判地域主义思想进行对比,从建筑学专业视角对张轲所提出的文化平视理念进行总结。通过研究张轲在西藏的建筑实践,解析其在文化平视理念影响下的建筑设计手法,表明了文化平视理念具有广泛的适用性,是在不同地域文化中进行建筑实践的思想出发点,为当代中国建筑理论的发展提供了一个新的方向。From the concept of equal footing in the perspective of communication,we compare the concept of cultural equal footing,proposed by Zhang Ke in Tibetan architectural practice,with that of critical regionalism,and summarize the concept of cultural equal footing proposed by Zhang Ke from the perspective of architecture.By studying Zhang Ke’s architectural practice in Tibet,we analyze his architectural design techniques under the influence of the cultural equal footing,indicating that this concept has wide applicability,which is the starting point of architectural practice in different regional cultures and provides a new direction for the development of contemporary Chinese architectural theory.

关 键 词：文化平视 张轲 西藏建筑 批判地域主义 

分 类 号：TU-098.9[建筑科学—建筑理论]